Category Archives: Great Moments in Gymnastics

When Wolf Turns Go Bad

The fear.

The anger.

No matter where we come from, no matter who we are, all humans are bound together by the irrepressible storm of pain and fury we experience whenever anyone assumes the telltale position.

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The wolf turn.

Man’s greatest predator.

Our fear of it is instinctive, animalistic, coded in our DNA. Like all primates, human beings inherently mistrust the wolf turn as a defense mechanism to ensure eye preservation. It’s just too dangerous. Too unflattering. In all contexts. Always. For everyone. There’s a reason no one looks at the Mona Lisa and says, “This would be nicer if she were squatting.”

But I believe we can be better than this. We can rise above our basest instincts and, through a process of exposure therapy, shrug off our irrational fear of the wolf and embrace it for what it truly is: a hilarious disasterpiece that may be gymnastics’ greatest gift of all.

And with so much material, how could we ever tire of our newest friend?

At Secret Classic alone, it brought us the old Texas two-step…

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That was a double. What? Shut up.
Ending pose!

The ingredients are 1.5 cups wolf turn, and half a cup “grandma’s vertigo is getting worse.”

The 1.5 wolf turn can also be connected directly to Surfin’ USA for 0.2 CV.

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Got it, got it, got it, got it, STOP CRAP. Continue reading When Wolf Turns Go Bad

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Great Moments in Beam Choreography

End of post.

While Catalina’s attempt to explain the schematics of her plan for a space railroad may be the gold standard, Ponor is far from the only member of the “Is this…what is this?” beam hall of fame. The US system has been churning out champions left and right for years and years.

For artistry. We do so much for artistry. And has it ever said thank you? Even once? Pssh.

I mean, who can forget The Legend of Ol’ Flappy?

Fly away home, Nastia. Fly away home.

Like any great artist, she inspired a generation who wanted to be just like her.

Nope. Fallen out of the nest.

We all remember where we were the first time we saw this revelation.

Scholars have hotly debated the author’s intent in this piece since its debut, and they may never stop. Is she advertising an old-people smoothie juicer? Milking a hover-cow? Explaining how many Memmels it takes to screw in a lightbulb? (Four?) Perhaps it’s intentionally ambiguous. For art.

Continue reading Great Moments in Beam Choreography

The Great Candle Ceremony of Deva

A weekend without NCAA gymnastics. What’s a person to do? Sorry, that’s a silly question. Obviously, the answer is curl up and enjoy a moving bedtime story about how not having a father figure makes you fall on beam at the Olympics, starring our esteemed host with the least, Traut Alwig, and his dearest confidant, the oboe of aggressive narrative.

Grab your paper cup cathedral candles and your daddy issues because we’ve got a lot to get through.

The year was 2000. Everything was terrible, including probably your hair. Bela Karolyi had been commissioned to crush the US gymnasts into tiny cubes so as to save space on the flight to Sydney, Ragan Smith was literally one month old, Maria “Her?” Olaru reigned as defending world champion, and Russia was single-mindedly bent on erasing the shame those caterwauling American chicken buckets brought upon their country’s honor four years previously. Oops. Never mind. I’m sure you’ll win another team gold soon. Well, at least there’s still the all-around final. Nothing scandalous or painfully unjust will happen here and then be remembered forever.


The fluff before the storm. We were so innocent. It was a different era. We had to churn our own butter and make our own scandals out of nothing more than popsicle sticks, an old boot, and a shot of a couple Russian gymnasts stepping off a bus completely unremarkably.

We kick things off with a breaking news update from Trautbot. Mission control has dialed his vocal pitch matrix all the way down to Implied Russian Cheating Bass (one notch below This American Score Seems Too Low Baritone) to inform us that in an all-around final, only three gymnasts per nation may compete (so few!), but the Russians are such diva rebel divas that they brought four to the arena. Those bitches. They’re totally trying to cheat and put a pair of Groucho glasses on Zamo and sneak her into the all-around final as Fakeryna Shutupskaya from Tumblestan. BUT YOU’RE NOT ALLOWED! YOU’RE NOT ALLO…oh, you mean Prod is injured and this is normal because no one cares how many gymnasts arrive at the arena? 

Really, the bigger scandal here is that Svetlana Khorkina was riding a bus. A BUS. Svetlana Khorkina does not ride buses. Not now, not ever. Would you make the moon ride a bus? Or the stars?

All is not well in the Russian team, but like…more than usual. This is symbolized by the wistful fading sunlight of dashed dreams and stolen glory near something Kremliny.

Wait a MINUTE. That’s the exact same wistful fading sunlight of Russian sadness they used during Atlanta when it symbolized the decline of the Soviet machine intermingled with the aching internal pain of Leeeeeeeeetle Roza Galieva four years after getting personally victimized by Tatiana Gutsu! But which is it?!?!? What does it really mean?!?!?! I don’t know what to think!

In this particular instance, RussiaHasASad2.mpeg is being used to introduce the first annual NBC Living-Parents Championship, in which we check out how many living parents all the gymnasts have and then base everything they have accomplished on the stability of the father figures in their lives. Note: all older males are important father figures to these lost little girls. Got it? Got it.

Both Zamo and Prod’s fathers have died, which led Prod to sit in the gym in black and white while gradually transforming into a glamorous 1940s movie star.

 

Don’t weep too much for them because their fathers were swiftly replaced by Leonid Arkayev. PHEW. ALL BETTER. Just as long as there’s a father figure somewhere, someone who can use Prod’s legs to extinguish a forest fire and then kiss her on the lips. You know, dad things. Remember that time Andy Memmel kissed Chellsie on the lips after a routine and Daggett quickly had to go, “IT’S HER DAD DON’T FREAK OUT PLEASE AHHHH.”

Because of Arkayev’s fatherly guidance and fatherly direction of fatherhood, Prod eventually becomes in color again (in what we can only assume is a Pleasantville-type situation), and she instantly gets herself a cool new Russian strutting jacket and dead-of-winter skirt.

The flag of Russia. 

Unlike Prod’s, Zamo’s father died very recently, undermining the narrative about getting into gymnastics in search of some ersatz discipline and leadership that could only ever come from an older Russian male, so we’ll just ignore that. Her dad was a soldier, and in case you didn’t know what a soldier looks like, here are four random ones kidnapping this giant doll of Macaulay Culkin and using it as a battering ram to storm the palace.

I feel like someone should have looked into this. That shot is very “back before the accident.”

Because Zamo doesn’t have a living father, she fell on beam in the team competition. That is the reason. 1+1=2.

 

For cold-diva-villain-narrative reasons, the Russians took off their silver medals shortly after receiving them, frigidly choosing not to sleep with them for 16 months, wear them on Ellen, and get 15 misguided self-drawn tattoos about the experience because it’s an honor just to be nominated. That’s what good people would do. The Russians, however, are insulted and fixated, which are Russian fluff synonyms for American qualities like driven and inspiringly motivated by the quest for excellence.

Of course, it would be inappropriate to talk any more about the Russian team without mentioning its most important member, Ostrich Zach Morris.

Trautwig explains that the team is guided by the intense edge of Svetlana Khorkina’s haircut, callously leaving out the equally important dual influence of the Yelena Produnova shaved eyebrow lines that practically raised me. They’re all the education anyone ever needed. But now that we’ve mentioned Khorkina for no other reason than to show a couple shots of her looking gaunt and divay, we can get back to Zamo and the tears.

Zamo didn’t make the all-around final, but since there’s no Andrea Joyce to go, “Sup with those tears, yo? Tell us about your dead father. Was this performance supposed to be a tribute to him and now isn’t because you fell?” Zamo is simply forced to Wieber for a while in the corner and wait for her Roza Galieva ex machina, which comes in the form of Prod, as we learn that Prod suffered a tragic overuse injury to her mournfully-staring-at-my-knee muscle on the eve of the final. 

-“Yelena, we need some footage to use in case something bad happens, so could you just sit there for the next couple minutes looking Russian?”
-“I don’t know what that means.”
-“You’re already doing it perfectly.”

We should probably get out of here so Prod and her knee can spend some quality time together, so let’s move on to the Romanians. We now join the annual Deva Gymnastics Candle Ceremony That’s 100% About Gymnastics, already in progress. It is the most hallowed of Romanian religious traditions in which the entire town of Deva shuts down for Gymnastics Prayer Day and every citizen shoves a candle into a paper cup and trudges into the local cathedral to pray that Claudia Presecan doesn’t take that call from that Japanese magazine.

What absolutely nobody did here was film a nonspecific religious ceremony and then spend multiple fluff pieces implying that it’s a prayer ceremony for the gymnastics team that the whole town engages in. Nope. Never.

Their family is the town of Deva, and their father figure is Octavian Bellu. He’s not their coach. He’s their father figure. If you thought maybe their family was their actual family and their father figure was their actual father, you would be wrong. It’s Deva, and it’s Bellu. “His girls” are all orphans.

Please also note how Bellu has way nicer candle cup than any of the gymnasts got. That’s like a professional grade, multi-story Deva candle cup. No wonder they’re having to pose for Japanese magazines. #equalcandlecupsforequalwork

Because of the power of candle cup ceremonies about gymnastics, the Romanian women win team gold, leading to the most awkward and fantastic victory celebration of all time, when Bellu tries to lift up Raducan but all the limbs just get lost in an indecipherable swamp of billowing blue 1990s track suits.

Nobody knows. It’s like one of those giant inflatable tube people outside car dealerships.

Nothing could possibly go wrong now. I mean, she’s just sitting in a park, probably taking some ill-defined medication that I’m sure is fine.

No, Andreea! Don’t do it! Not the Sudafed!

Of course, Romania’s success isn’t all about Andreea Raducan. There’s also some of the least enthusiastic praise of all time that we can give the rest of the gymnasts. “The persistent consistence of the team includes Simona Amanar and is completed by Maria Olaru.”

“Hey, Maria. Please drape yourself over this beam the way no one has ever, like a crafty snake that just bewitched a lost traveler. Cool?”

But now it’s time for the colors to get 100 times brighter and the music to get 100 times lighter to introduce Elise Ray. We find Elise sitting on the serenely suburban stoop of her family home on 4th of July Boulevard in Applepieburg, where she is joined by the first three people who answered the casting call for Typical American White Family. 

Elise’s coach is a woman, which doesn’t fit the guiding father-figure narrative, so we’re going to discuss it none. It’s not even necessary because Elise is a proper American, so unlike in the evil and inhumane Russian and Romanian systems, Elise has parents who have shown the common decency to be alive and sit on that stoop aggressively supporting her while being able to afford to go to Sydney.

We’re really hit over the head with Elise’s apparently glorious and idyllic life. I mean seriously, she might as well be prancing through a peaceful meadow with a loyal butterfly attendant. Oh wait…

It’s her post-Bela therapy butterfly. Smile through the pain, smile through the pain. Act like you’re really excited to share a plane with Bela.

The all-around final is quite simply the only important thing she’ll ever do and will define how she is viewed for ever and ever, so she better huddle on that chair and stare out the window pensively imagining everything about this competition going wrong and it being a miserable experience in every way. I mean, all her dreams coming true.

Because they totally will.

The end.

Leeeeeeeeeettle Roza Galieva

Back in the magical year of 1996, when the world was a simpler place and vests, Rachel hair, “Seasons of Love,” and those tiny 15-year-old-girl backpacks that cinched at the top freely roamed the countryside, NBC produced a vital contribution to the canon of American documentary film detailing the trials and tribulations of one Rozalia Galieva. You may have heard.

It gets better every time. So, in a super relevant and timely exercise 18 years in the making, we need to break it down together as a family.

We begin with the sun fading next to an onion dome. This is definitely not symbolism. No one here is using the subtlety of an anvil to imply that Russia is nothing more than a feeble husk of a former empire pathetically clinging to the last vile, shriveled wisps of long-faded power or anything. Who would do that?

Not Roza Galieva. She is a perfect sparrow made of angels, an innocent victim of an EVIL system, and now all the children of the world must gather around to learn the lessons of the epic, moving tale of the time “this happened to Roza Galieva.”

By “this,” do you mean having her hair smelled in the middle of flexibility training? That does sound traumatic. Of course, we all know that hair smelling is an intrinsic part of any respectable Eastern bloc training regimen. It’s why they’re so artistic. American gymnasts do the rope climb. Russian gymnasts cultivate their scalp scent. But no, something even worse than hair smelling happened to Roza Galieva.

At this point, Tesh informs us that now Roza is a withered old crone of 19, which is basically 40, which is like 90. By 19, a gymnast is more likely to be eaten by a shark than win an Olympic gold medal.

Speaking of being eaten by a shark, the 1992 Unified Team leotard.

 

But Roza Galieva wasn’t always a washed up 19-year-old hag. Back in ancient times when she was a fresh-faced young sprite with an acceptable age like 15, she was full of dreams and innocence. That was before she was personally victimized by Tatiana Gutsu. Tesh drops his voice 16 octaves to introduce Gutsu because she’s Ursula the Sea Witch now or something. He was speaking normally and then leaned into a drainpipe to say, “Tatiana Gutsu.” If you go into a bathroom and shout “Tatiana Gutsu” three times, her face will appear in the mirror. Maybe that’s what Roza just saw.

Hey Roza, you’re doing such a great job. Quick note: For the next take, could you try curling up into a fetal position and staring into the middle distance while picturing the genocide of millions? That’s really the tone we’re going for with this piece. Thanks so much, sweetie! Because why be emotional when you can be THE EMOTIONEST.

No one expected much from Roza Galieva.” OK, a couple things with that. First of all, false. She made the 1992 Unified Team. That’s no joke. She’s not Tiny Tim out there. Second, at that line, all I can think of is “The old Union Pacific doesn’t come by here much anymore.” Third, apparently no one expected much from her because she was the youngest member of the team. Yes, as we all know, being young is such a handicap in women’s gymnastics. That’s why Victoria Komova is so much better now than she was at 15.

Continue reading Leeeeeeeeeettle Roza Galieva