What happened here? Well, let’s see. [That is meant to be read in the exact tone of Victoria Clark doing “Statues and Stories” in The Light in the Piazza, in case you’re looking for the full experience.]
Honestly, the fields were deeper than I thought they were going to be. This is far from the sparsest challenge cup we’ve seen. Doha and Zhaoqing are v jealous.
The big news from qualification surrounds Marta Pihan-Kulesza—because when doesn’t it—who has debuted a new “Vogue” floor routine that is destined to become iconic and…also just has full talking in her music?
We know she was not deducted for having floor music with words because it would 1.00 off, which was not taken from her score.
Basically, there are two issues at play here. On the one hand: go off. This routine is ten times more enjoyable than any Pose-A-Tron 3000. It’s a thematically appropriate and delightful use of words in floor music, and if all potential uses of words in floor music were like this one, we would all be clamoring for a rule change. I’m not clutching my pearls in horror. (I mean, I am because that’s my resting state, but not about this.)
On the other hand: …isn’t this very specifically against the rules? Why is an exception allowed here, but the rules still ostensibly prohibit MyKayleighlegra from doing that Shawn Mendes routine she wants to. Clarity, clarity, clarity.
“But, like, this one works and is good” is a sentiment I agree with, but is not sufficient as a rule.
Anyway, what else?
Continue reading Szombathely World Cup Day 1